
Mariko Chiba's tea ware — teapots, kyusu, cups, gaiwan, strainers — comes in three series shaped around one summer thought: the cool of a breeze, the depth of open water, the stillness inside both. Some glazes carry iron, and iron never behaves. The blues are ash: for her Prussian Blue series Mariko makes the glaze herself, from the ash of local birch and beech — something few potters still do, in Europe especially. Either way, every piece keeps a little unpredictability the kiln decided.
Nothing sat behind glass. On the opening Sunday the tea was poured into them.
Yurika Saito's cloths hang over the tatami and through the room — dyed with tea waste, indigo, and iron. The same iron that moves in the glazes moves in the fabric; clay and cloth end up speaking one language of depth and variation. The colours shift with the day's light.
Blue for sky, white for cloud — the room wears the season for a week.
The exhibition kept the tea bar's hours, Wednesday to Sunday, 14:00–18:00, with no ticket and no booking. Mariko and Yurika were in the room through the week.
Pieces and cloth were for sale through the week.
Kissabō · Kopenhagener Str. 16, Berlin. The exhibition ran inside regular service; the tea bar is open Wednesday to Sunday, 14:00–18:00.
The exhibition opened with 夏の三道茶 — Shao Dao Zhao, the Bai way, poured by Kwok Ying von Beuningen of the Berlin Handcrafts Collective — @kwokying_tea_daily. The food was Ayami Awazuhara's — @wolke_be — regional. Two afternoon sittings and a private evening, five seats each.
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